A peculiar record, bridging bebop mannerism and electronic experimentation. Synthetizer arabesques rise over exquisite double-bass grooves and jazzy drumming. Their use is much varied: from soundtrack-like melodic themes, to minimal-tinged stagnations and proto-techno burbles. The compositions are elegant, lucid, but pleasantly devoid of the bombast of much prog-rock of those years. On the contrary, the tracks are absorbed in a gassy fluctuation, slighthly futuristic, a bit Satiesque, but most of all very light and unpretentious. (Il golpe e l'uva)This reminded me slightly of Alain Goraguer's soundtrack to La Planete Sauvage, maybe slightly more in theory than in actuality. It does have the same sort of spacey, "futuristic" (in a '70s way) sound, though. Probably one of the better Umiliani records I've listened to, although all that I've heard have been pretty good.
Piero Umiliani as Moggi - Tra Scienza E Fantascienza (1976)
Preview here.
hey thanks. really enjoying, getting into this and trying to wrap my head around library music. Much appreciated... Kelly
ReplyDeletecheers this guy made some really weird sounds i love it!
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